{"id":481,"date":"2010-12-09T00:01:01","date_gmt":"2010-12-08T23:01:01","guid":{"rendered":"http:\/\/juliettecharpentier.fr\/gertrudes\/2010\/12\/09\/gertrude-a-l-epoque-de-sa-reproductibilite-technique-a108949342\/"},"modified":"2010-12-09T00:01:01","modified_gmt":"2010-12-08T23:01:01","slug":"gertrude-a-l-epoque-de-sa-reproductibilite-technique-a108949342","status":"publish","type":"post","link":"https:\/\/juliettecharpentier.fr\/gertrudes\/gertrude-a-l-epoque-de-sa-reproductibilite-technique-a108949342\/","title":{"rendered":"Gertrude \u00e0 l&rsquo;\u00e9poque de sa reproductibilit\u00e9 technique*"},"content":{"rendered":"<p>      <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-content\/uploads\/2016\/04\/F-ts3Hd1uMUnzdeDQMpW5ZXJa0M@579x819.jpg\" style=\"margin:3px auto; display:block; clear:both;\" alt=\"imp2\" height=\"819\" width=\"579\"\/>    <\/p>\n<p style=\"text-align: right;\">     &nbsp; <span style=\"font-size: 8pt;\"><strong><span style=\"font-family: times new roman,times;\">JC, <em>Gertrude tapisse Marcel<\/em>, brie-collage num\u00e9rique.<\/span><\/strong><\/span>   <\/p>\n<p style=\"text-align: center;\">     &nbsp;   <\/p>\n<p style=\"text-align: center;\">     &nbsp;   <\/p>\n<p style=\"text-align: center;\">     <span style=\"font-family: arial black,avant garde; font-size: 18pt; color: #ff00ff;\">Nous sommes le dernier Neuf de Dix et Gertrude continue \u00e0 faire tapisserie<\/span>   <\/p>\n<p style=\"text-align: center;\">     <span style=\"font-family: arial black,avant garde; font-size: 18pt; color: #ff00ff;\">Pourtant elle est aussi belle<\/span>   <\/p>\n<p style=\"text-align: center;\">     <span style=\"font-family: arial black,avant garde; font-size: 18pt; color: #ff00ff;\">qu&rsquo;un <em>Porte-bouteilles<\/em><span style=\"color: #ff0000;\">*<\/span><\/span>   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     <span style=\"font-size: 8pt; font-family: times new roman,times;\">*W. Benjamin, <em>L&rsquo;oeuvre d&rsquo;art \u00e0 l&rsquo;\u00e9poque de sa reproductibilit\u00e9 technique<\/em><\/span>   <\/p>\n<p style=\"text-align: right;\">     <span style=\"font-family: arial black,avant garde; font-size: 18pt; color: #ff00ff;\"><span style=\"font-family: times new roman,times; font-size: 12pt;\">&nbsp;<\/span><\/span>   <\/p>\n<p>     <span style=\"font-family: TimesNewRomanPSMT;\"><br \/><\/span>   <\/p>\n<p>     &nbsp;   <\/p>\n<p>     &nbsp;   <\/p>\n<p style=\"text-align: left;\">     <span style=\"font-family: times new roman,times; font-size: 12pt;\"><strong><em>Si l&rsquo;art se d\u00e9barrassait de l&rsquo;illusion de la dur\u00e9e, s&rsquo;il int\u00e9grait son caract\u00e8re \u00e9ph\u00e9m\u00e8re<br \/>     par sympathie pour le vivant \u00e9ph\u00e9m\u00e8re, ce ne pourrait \u00eatre qu&rsquo;en vertu d&rsquo;une conception de la v\u00e9rit\u00e9 qui ne s&rsquo;acharne pas \u00e0 consid\u00e9rer celle-ci comme abstraite, mais prend conscience de son moyen     temporel<\/em><\/strong><\/span>   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     <span style=\"font-family: TimesNewRomanPSMT;\"><strong><span style=\"font-family: times new roman,times; font-size: 12pt;\">Theodor Adorno, <em>Th\u00e9orie esth\u00e9tique<\/em><\/span><\/strong><\/span>   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     &nbsp;   <\/p>\n<p style=\"text-align: right;\">     <span style=\"font-family: TimesNewRomanPSMT;\"><strong><span style=\"font-family: times new roman,times; font-size: 12pt;\"><span style=\"color: #ff0000; font-family: arial black,avant garde; font-size: 18pt;\">*<a href=\"http:\/\/ap.over-blog.org.over-blog.org\/article-19481639.html\"><span style=\"color: #000000; font-size: 10pt;\">Article ready-made<\/span><\/a><\/span><\/span><\/strong><\/span>   <\/p>\n<p style=\"text-align: right;\">     &nbsp; <span style=\"font-size: 8pt;\"><strong><span style=\"font-family: times new roman,times;\">(Trouv\u00e9, par le plus grand des hasards qui n&rsquo;en est pas un sur un site appeau-n\u00e9vrotique)     &nbsp;<\/span><\/strong><\/span>   <\/p>\n<p style=\"text-align: right;\">     <span style=\"font-family: TimesNewRomanPSMT;\"><strong><span style=\"font-family: times new roman,times; font-size: 12pt;\"><span style=\"color: #ff0000; font-family: arial black,avant garde; font-size: 18pt;\"><span style=\"color: #000000; font-size: 10pt;\"><br \/><\/span><\/span><\/span><\/strong><\/span>   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; JC, Gertrude tapisse Marcel, brie-collage num\u00e9rique. &nbsp; &nbsp; Nous sommes le dernier Neuf de Dix et Gertrude continue \u00e0 faire tapisserie Pourtant elle est aussi belle qu&rsquo;un Porte-bouteilles* &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; *W. Benjamin, L&rsquo;oeuvre d&rsquo;art \u00e0 l&rsquo;\u00e9poque de sa reproductibilit\u00e9 technique &nbsp; &nbsp; &nbsp; Si l&rsquo;art se d\u00e9barrassait de l&rsquo;illusion de la &hellip; <a href=\"https:\/\/juliettecharpentier.fr\/gertrudes\/gertrude-a-l-epoque-de-sa-reproductibilite-technique-a108949342\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Gertrude \u00e0 l&rsquo;\u00e9poque de sa reproductibilit\u00e9 technique*&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[176],"tags":[],"class_list":["post-481","post","type-post","status-publish","format-standard","hentry","category-l-avant-garde-la-plus-louche"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/posts\/481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":0,"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/posts\/481\/revisions"}],"wp:attachment":[{"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/media?parent=481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/categories?post=481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliettecharpentier.fr\/gertrudes\/wp-json\/wp\/v2\/tags?post=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}